Review: This has all the lyrical prose of a Victorian Children’s Fairy Tale, whimsical and wholesome. It dangerously approached saccharine sermonizing – if not for the North Wind. Sometimes a Tall Woman with Dark Hair, sometimes a Wolf, or a Fairy, or an Unseen Breath, she is the most intriguing character in a fairy tale I have encountered in some time. Biden by her unnamed Master, she often does what seems cruel, causing pain, suffering, and even death. And yet, in the end, is it revealed that all she does is for the healing, the betterment, and the good fortune of people. She is neither callous nor wanton in her destruction, but precise and obedient, doing her duty with a single-minded service to her master. A the Back of the North Wind is a place, a place she cannot see or visit, but a place she often takes those she is bidden to carry there. It seems a place where neither time nor illness nor hungry nor suffering dwell.
Daylight is a bit too cherubic for my taste, but I related
to his constant out-of-place nature. He doesn’t fit in but doesn’t seem to
notice. It is thought Daylight was modeled after MacDonald’s own son, as a
tribute to the boy. His angelic goodness
is off-set by the secondary characters, rough-and-tumble crowd, cabbies and
street urchins, drunks and benevolent gentlemen. They seem real in a way
Daylight does not. But perhaps that is the point.
This is a fantastic fairy tale, whimsical and imaginative,
but with a somber ending that makes this far more than just a gossamer tale of nonsense
for children. To understand that pain
and death are important teachers, vital to our life and growth, is a lesson
worth teaching our children. MacDonald’s story helps explain this concept to
children in a way that makes sense to them. And may help adults understand a
concept that seems so contrary to our minds.
Bookmarks: 4.5 of 5
Awards: None
ISBN: 0-8167-0470-8
Year Published: 1871
Date Finished: 2-26-2017
Pages: 316
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